Aparan

This movie by Padmarajan gets 7.5 out of 10. With the dearth of decent movies (released from any Wood – Holly/Molly/Kolly/Bolly/Tolly), a movie buff can either sit and cry or rummage through old storage boxes for a CD/DVD of a classic – like this one from 1988.

The story revolves around a case of mistaken identity involving a decent youth from a lower middle-class close-knit family and a look-alike who is an orphan and a hardened criminal. Jayaram makes his debut in this movie – excellent performance and I would not be too surprised if the great director had a big role to play in that also.Along with Jayaram, we have a host of well-thought-out characters (with Madhu, Sukumari, Parvathy, Soman, Mukesh, Sobhana and other excellent actors).

With this genre of suspense, one usually has the lurking problem/doubt: have I seen this story elsewhere? It does not matter. In this two-hour long movie, there is hardly any flab and there are many scenes you will remember for a long time: from the play with shadows and reflections to the smile on Jayaram’s face in the last scene.

This movie comes from an era in Malayalam cinema when the heroes were men and not supermen, and the Malayalam movie/actors/directors did not resemble their counterparts from the neighbouring states. This movie could compete with some of the best in the crime/suspense genre in Malayalam cinema, and to name just three of my favourites: Yavanika (with the superb Gopi), Kariyila Kattu Pole, Ee Thanutha Veluppan Kalathu (the last two also from Padmarajan as writer or director).

Keep these in mind when you want to watch a decent movie with your family rather than waste grey cells and lots of money on trash.